María (and Everybody Else)

A wealthy student with too much fashion sense, her equally rich friends, and her rival/superior from the school paper work together to solve the case when their teacher goes missing.

A widower and his daughter witness the retirement of a colleague of his and the closing of her department at her university.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

Following political upheaval, traditionally poor countries have stopped exporting raw materials. The Western world is entering an economic crisis, which is rapidly spreading to Norway. Unemployment rises sharply, and it becomes more difficult to obtain food. The government does not officially acknowledge the crisis, but fear spreads among the population. Demonstrations between the population and the police are now a daily occurrence. Thomas and Vera are also unemployed. The only way out of their predicament is to move out of the city and rent an abandoned farm. The sale of food is banned. Military forces arrive to confiscate what little they have. Later, the city population follows, traveling to the countryside in panic to secure something to eat.

After the death of his parents, teenager Max discovers in himself an unusual ability to move into other people, penetrating into their minds. The viewer gets acquainted with the grown-up hero, behind whom there are already several journeys into the depths of the human mind, and one of them, the most pleasant for Max, is connected with the beautiful artist Vera. With her help, Max comprehends the true beauty of nature and the harmonious integrity of the world, and also shares his own unique knowledge with the girl. Together, the heroes have to go through a fascinating path, the routes of which lie far beyond the usual perception of reality.

Frustrated by the lack of intimacy in her relationship, a young schoolteacher goes through a series of intimidating and often violent sexual partners.

On Declan's sixth birthday, his baby brother Michael dies in his crib from sudden infant death syndrome. His birthday forgotten, and not understanding what "dead" is, Declan experience's the death of his brother only through his parents' grief, frozen in their pain. Declan seeks refuge in his baby brother's room. His birthday now intrinsically linked with Michael's death, he tries to understand what has happened to his family, and if he too will stop breathing in the night. Based on a true story, SOUND ASLEEP is an intimate drama about death from the perspective of six-year-old boy.

A woman is delighted to have given birth to a baby girl but her life is turned into a nightmare when she goes missing. The police mount a frantic search but to the woman's horror she finds out that it's herself who is the main suspect.

In a depressed Texas town, British foreign exchange teacher Anna attempts to inject some life into her hopeless kids by introducing them to soccer. They're terrible at first, but Anna and her football-hero assistant whip them into shape. As they work overtime, the pair help kids build their self-esteem and also get involved in solving family squabbles.

"What if someone wrote your biography? Would there be horns and halos involved?"

While celebrating their reconciliation and six years of marriage, American actress Sally Nash and British novelist Joe Therrian receive their close friends, some colleagues and their next door neighbors in a party. Under the effect of Ecstasy, revelations are disclosed and relationships deteriorate among the group.

A former beach boy and his wife go to California to visit their daughter and become part of the new beach scene.