Inuuvunga: I Am Inuk, I Am Alive

A documentary on seniors at a high school in a small Indiana town and their various cliques.

The Indigenous peoples of northern British Columbia still hunt and fish, using a combination of traditional ways and modern equipment and techniques where appropriate. Lumbering and trapping bring them money and goods. Their traditional arts and crafts, however, remain essentially unchanged. This archival film reflects the social and cultural values and beliefs prevalent at the time of production.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

A short film highlighting the epidemic of missing indigenous men and women who have gone missing in Bighorn County, Montana. It features several victims' stories and interviews with their families and indigenous activists who are pushing for their cases to be re-examined and solved.

Somebody’s Daughter focuses on higher-profile MMIW cases, some of which were raised during the Senate Committee on Indian Affairs in December 2018. With historical points of reference, the victims’ and their families’ stories are told through the lens of the legal jurisdictional maze and socio-economic bondage that constricts Indian Country.

A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.

Through Inuit voices, HERD: Inuit Voices on Caribou tells the story of the social, emotional, and cultural disruptions from ecological change by putting an essential human face to the caribou declines - including a 99% decline of the once-massive George River Caribou Herd. The film was developed over four years of collaboration between filmmakers and 11 Inuit communities across Labrador. It cinematically explores an array of lived experiences, from youth to Elders and hunters to cooks, to ensure that the stories of those living on the frontlines of this ecological crisis are HERD. It is a portrait of the deep connections that exist between humans and non-humans, a glimpse of heartbreaking loss felt by entire communities, and a lasting testament of cultural resilience in the context of ecological uncertainty.

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.

Since colonial times, the indigenous people of the Andean mountains have ascended to peaks that reach 5,200 meters above sea level. There, they crush gigantic blocks of ice that carry on their backs to sell them later in the fairs of Riobamba and Guaranda. The film shows the living conditions of the communities that live from this activity.

Filmmakers revisit Inukjuak, the Inuit village where Robert J. Flaherty filmed Nanook of the North in the early twentieth century, and examine the realities behind the ground-breaking documentary.