Frantz Fanon: His Life, His Struggle, His Work

The decades-long debate surrounding reparations is fraught, mired in racial tension and the semantics of restorative justice. While the national conversation remains stalled due to legislative inaction, communities across the country examine their histories and take it upon themselves to arrange their own form of reparations. This detailed investigation of restitution presents accounts of everyday people confronting the past and exploring the possibilities of wealth transfer.

During the pandemic, Benjamin Ingrosso began to sketch out a childhood dream: music with Swedish lyrics inspired by idols like Ted Gärdestad and Monica Zetterlund. We get a unique insight from the studio and home into the creation of two brand new albums.

The glorious and tragic story of American athlete and actor Johnny Weissmuller (1904-84), Olympic swimmer, water polo player and the only true Tarzan, an archetypal character and myth of cinema, that of the original Hollywood blockbusters (1932-48).

Driven by extensive archive material and interviews with those who know her, this is the astonishing story of how a triple outsider – a woman, a scientist, and an East German – became the de facto leader of the “Free World”, told for the first time for an international audience.

A look at the Lake District and its famous poet.

An ambitious and wide-ranging documentary exploring Andre’s upbringing in France, his celebrated career in WWE, and his forays in the entertainment world.

On August 29, 1970 in East Los Angeles, a peaceful march of over 20,000 Chicanas/os, united in protest against the Vietnam War as part of the National Chicano Moratorium movement, was violently interrupted by an extreme, unjustifiable response by law enforcement. The tragic events of that day left four dead. Chicano Moratorium: A Question of Freedom is a harrowing, eyewitness documentary of the events of August 29, 1970 and their immediate aftermath, including the murder of Chicano journalist, Ruben Salazar. In contrast to biased TV news reports of the period, this student-made short offers an impassioned, unvarnished community account of the unrest and violence unleashed by the Los Angeles Sheriff’s Department in response to the otherwise peaceful march in protest of disproportionate Chicano casualties in the Vietnam War.

Armando Iannucci presents a personal argument in praise of the genius of Charles Dickens. Through the prism of the author's most autobiographical novel, David Copperfield, Armando looks beyond Dickens - the national institution - and instead explores the qualities of Dickens's work that still make him one of the best British writers. While Dickens is often celebrated for his powerful depictions of Victorian England and his role as a social reformer, this programme foregrounds the elements of his writing which make him worth reading, as much for what he tells us about ourselves in the twenty-first century as our ancestors in the nineteenth. Armando argues that Dickens's remarkable use of language and his extraordinary gift for creating characters make him a startlingly experimental and psychologically penetrating writer who demands not just to be adapted for television but to be read and read again.

"Well, I believe in anarchy! And I believe it will come true one day." That's what "May the Rebel," a union activist, anti-militarist, and anarchist, always ready to denounce oppression and defend victims, affirms at 85. Born in Brittany, she earned her living at age 10 delivering butter. In Paris, at 20, she became involved with the Anarchist Union. Sébastien Faure became her mentor. She used a grenade to trigger the Sacco-Vanzetti affair. A union delegate in Moscow in 1922, she sang "Hymn to Anarchy" before Trotsky. Children during the Spanish Civil War, Jews during the Second World War, conscientious objectors alongside Louis Lecoin during the Algerian War, and later, through her newspaper Le Réfractaire, the Larzac, Plogoff, and Creys-Malville protests—all these were battlegrounds for May Picqueray. To the very end, she remained true to her commitment to defending peace and individual liberties.

Everyone knows Aguigui Mouna, the jester who harangues the crowds on the Beaubourg esplanade in Paris and rides his bicycle through demonstrations. But many don't know the story of André Dupont, a Savoyard raised in tough conditions, forced into violence in the navy to rise to power and into resourcefulness in civilian life to survive. Antibes, 1952, the transformation: Aguigui Mouna is born. Laughter, solidarity, non-violence, humanism—Mouna has found the meaning of his existence. He will try to share them with all the robots of this "poop-pee-capitalist" society. A comic book character who, through his adventures, reveals the absurdities of his century.