
herself

Four Spanish-language shorts about the importance and complexity of people's perception from award winning directors. Stories of identity, misconceptions, regrets, dreams and love are told in this diverse collection. Includes: Tenants [Inquilinos] (2018); My Brother [Mi hermano] (2015); Guillermo on the Roof [Guillermo en el tejado] (2018); You Are Not a Woman [Usted no es mujer] (2018).

Just an ordinary suburban family- except that Dad's transgender, Mom's queer, and there are five kids in this minivan. This is one family’s true story of identity, trust, and transformation. Too many transgender kids wonder: Will I be loved? Will I get to have a family? Will it all be ok? Here's the answer: a love story about family, finding your true self, and becoming who you really are.

A powerful film about the struggle to maintain Pacific Islander culture and values within the Westernized society of modern day Hawaiʻi. It is told through the lens of an extraordinary Native Hawaiian who is both a proud and confident māhū, or transgender woman, and an honored and respected kumu, or teacher, cultural practitioner, and community leader.
This compelling and thought-provoking documentary provides riveting portraits of a diverse group of six men who once were women and chose to change their gender. The award-winning film is an unforgettable story of self-discovery and challenges all of us to re-examine the foundations of our ideas and feelings about gender, sexuality, and identity.

Rikkie Kollé will be the first trans woman to be crowned Miss Netherlands in July 2023. In addition to praise, 22-year-old Rikkie receives a remarkable amount of misunderstanding and hate reactions about herself. Fortunately, they have only strengthened her mission even more: being an example for young trans people and normalizing gender diversity. In a unique documentary, Miss Netherlands is followed on her way to the world stage in El Salvador where she is making a bid for the title of Miss Universe, with all the work, obligations and preparations that entails.
Consider Manhattan a sprawling Hollywood set. Amongst the swarms of people that crowd the streets like extras, Fayaaz Bijli is another face relegated to the background of our visual spectrum. Come sundown, however, and the inconspicuous Fayaaz morphs into the iconic personae of ‘Bijli,’ a voluptuous Pakistani drags queen. Yet beneath the flamboyant stage presence lies a courageous individual who has carved out a unique and cherished identity for herself in a world that has been all too quick to label her as an ‘outsider’. Defining herself as a woman stuck in a man’s body, Fayaaz has spent her life struggling between the polar tensions of male/female, East/West and Islamic faith/promiscuity. This film is a glimpse into Fayaaz’s psyche as she navigates her way through a New York City life.