
Jean Renoir
Self
No synopsis available.

Self

Self
What does it mean to be self-determining in America? And what does achieving the American Dream really feel like? Not everyone gets to answer that question for themselves, and some who do may take it for granted. In Cumberland, Maryland, disappearing industry over the last 30 years has left the city economically depressed and half-deserted. The city’s new mayor has taken it upon himself to inspire a revitalization, and his plan starts with buying up homes in The Rolling Mill, a once vibrant neighborhood stricken by the same ills as the city. With every willing seller who leaves The Rolling Mill behind, the mayor’s plan to change Cumberland’s fortunes by building a new chain restaurant progresses. But as the face of the neighborhood they love changes so drastically, a steadfast group of long-time Rolling Mill residents have refused to relent to the city.

One decade after THE FARM: ANGOLA, USA (Oscar nominated 1999; two-time Emmy winner 1999), we go back inside Louisiana's maximum security penitentiary, to catch up with our characters' lives. While the theme of THE FARM was "to err is human, to forgive divine", we now delve more deeply and find hope for "reconciliation and release". Angola is America's oldest and largest prison, with 5,000 inmates, most of whom have received life -, or death-, sentences for violent crimes, and will never leave Angola. THE FARM continues to provide extraordinary opportunities for learning through storytelling.
Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.

The two brothers Jean and Pierre Ravier have opened almost all the "classic" (difficult) routes in climbing and mountaineering in the Pyrenees. Roped together at the waist using a few flat knots and little equipment, the two twin brothers achieved more than 200 firsts across the entire massif. A unique style and commitment, a state of mind made up of adventure, literature, inventiveness and friendship. Unclassifiable and outgoing, after 60 years of Pyrenees, their desire for the mountains is intact. When does a race start? How does the idea, the desire, come about? What sense does it make to only achieve firsts? And what is the role of the Pyrenees themselves in this reciprocal and endless game of attraction?