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Edited by famed filmmaker Kathleen Collins, Statues Hardly Ever Smile follows a group of middle school children during a six-week project at the Brooklyn Museum, where they collectively discover and respond to the Egyptian collection. With narration by a member of the museum’s…
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Juskatla weaves together perspectives of the people who live on the islands of Haida Gwaii-an archipelago on Canada's Northwest coast, and the ancestral territories of the Haida Nation. From industrial loggers who harvest trees from ancient forests, to Sphenia Jones, a Haida matriarch who bears an intimate knowledge of her People's territories, Juskatla meditates on the divergent ways of being that shape the islands and its people.
This short documentary offers a look at the life forms on the Queen Elizabeth Islands within the Arctic Circle. Even in this frigid zone of icebergs and glaciers a surprising variety of wildlife and vegetation is seen. Writings from the logbooks of early explorers provide vivid descriptions of scenes as arresting to them in their century as to today's explorer. Note: Originally produced for the television series Perspective, this film was distributed separately on 16mm for schools and libraries, qualifying it as a standalone documentary.
The Flight of the Condor traces the global circulation of the melody “El Condor Pasa”: from the Andes mountains to global metropoles; from Lima to Paris to New York, and back; from panpipes to piano and from symphony orchestras to the disco; from indigenous to popular music; and from world music back to national heritage.
"Grow a Better Dallas" is a short documentary film showcasing South Dallas' Restorative Farms, a registered non-profit offering restorative justice and urban agriculture solutions to the "food desert" problem in South Dallas. Restorative Farms offers the ability for rehabilitation and therapeutic solutions to individuals with criminal backgrounds to come and contribute as employees to the farm. Restorative Farms was co-founded by Tyrone Day, who was falsely incarcerated for over 26 years.
For twenty years, male members of a fraternity at a major state university and their female guests have been celebrating the end of the school year by capturing and eating live salamanders. Is the "salamander-eating contest" staged by these students a fad or a tradition? A rite of passage for college men and women? Or an inhumane and senseless act? The film documents the ritual in cinema verité fashion and permits viewers to decide for themselves. Provided without narration - this short film primarily features obnoxious, loud and brawling youngsters, and develops into a competition among coeds that has strong sexual overtones.
