
Atsuko Sakuraba
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Japanese gangster drama set in the exclusive Ginza district of Tokyo, following Haruka (Atsuko Sakuraba), a young geisha who is attacked by an influential businessman who plans to abduct her. When she is rescued by the members of a club called 'Utopia', Haruka joins them and…

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Pinkerton marries Cho-Cho San in Japan, whilst on shore leave. When he leaves, she keeps his Japanese home as he left it. He returns three years later, having married again in America, and tells Cho-Cho that their affair is over. She has had a child in his absence, who is sent to her family, before she kills herself.

Yokiro was the most successful Geisha house in Western Japan during the first half of the 20th century and remains open to this day. At its peak, it was home to over 200 geisha, however behind the fabulous facade, there were many battles - between family members, men and women, and with the Yakuza. Momokawa was sold to Yokiro at age 12, and despite being the top geisha, her many complicated relationships provide unending challenges throughout her glamorous but turbulent life.

In a continuation of "Utopia: Midnight Story, White Flower Bud" Haruka Ichijou follows through in her vow to become the No1 Geisha. She develops intricate schemes and mindful manipulations in changing her "Papa-san's," or Sugar Daddies, on her way up the modern geisha ladder. After she pits one against the other, the men begin to compete for her in elaborate and very expensive ventures, and their fight to win her for their prize in all-consuming frenzy becomes the focus for the No1 Spot. A barrage of young geisha's karate fighting seals their fate at last!

What is the life of a Geisha like once her beauty has faded and she has retired? Kin has saved, and become a wealthy money-lender, spending her days coldly collecting debts. Even her best friends, fellow Geisha Tomi, Nobu, and Tamae, are now indebted to her. For all of them, the glamour of their young lives has passed; Tomi and Tamae have disappointing children. Kin has two former lovers who still pursue her; one she wants to see, and the other she doesn't. But even the one she remembers fondly, when he shows up, proves less than satisfactory.

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