
Adriane Daff
Kelly
In a bid to extend his adolescence, Gordon convinces his reluctant fiancée to allow his best-friend Jez and himself to live in the house they have just bought in a bachelor pad situation for the year before they get married.

Kelly
Molly

O'Hara
Jim Jam
Crystal

Melisa
Jez
Amber
Gordon

Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)

The young Katelijne grows up in a strict Protestant peasant family. As the only girl between six brothers, she is hardly involved in farm work and is excluded from daily conversations. Hereby she lets her imagination run free by surrendering to Biblical stories, gossip and even fairy tales, although she is not allowed to read them. During her brother's wedding, however, she overwhelms her family with literature, saying goodbye to her childhood.

Gaby and Fred are preparing for the world swimming championships which will be held in Quebec City this year. Their love will be put to the test when a former love of Gaby's turns up at the championships. Gaby finds herself at a crucial point of her life where she has to choose whether to continue competing or follow another dream that she's cherished forever, but which seems impossible to everyone else—her dream to become an astronaut.

“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.
BMW
Sloane