Himself
Himself
Herself
Himself

Himself

On 12 June 2000, in Rio de Janeiro, Ônibus 174 was taken by an armed young man, threatening to kill all the passengers. Transmitted live on all national networks, this shocking and tragic event became one of violence's most shocking portraits, and one of the most terrifying examples of police incompetence and abuse in recent years.

Fourth film in the Mafrouza series. Two events mark the early winter in Mafrouza: the birth of a boy and a young woman's engagement. Within their homes, the intimate and the holy, cries, whispers and rituals: individuals' destinies are taking shape. Amidst the familial agitation, each finds their own way to live. Through their actions, but also through what they say, summoning the imaginary to reflect on reality, make it livable, and speaking of life, death and gender roles.

Hapon is an 8-year-old survivor in the slums of modern Manila, scratching out an improvised existence at the margins of society. This rawly shot documentary follows Hapon and his mates as they swagger around their dilapidated universe. Featuring a punk-rock score by director Khavn's band the Brockas, the film captures a carefree spirit in the children that completely belies the squalid conditions in which they live.

Favela Gay tells the story of eleven individuals in their own words. Living in eight slums (favelas) in Rio de Janeiro, these members of the LGBTQ community – two transgender women, a crossdressing man, a travesti prostitute, a famous carnival dancer, two community activists, and even a young man who used to be transgender, but transitioned back – have fought prejudice and seen some of the most unsavoury sides of the city.