Documentary
Walter Littlemoon attended a federal Indian boarding school in South Dakota sixty years ago. The mission of many of these schools in 1950, was still to “kill the Indian and save the man.” The children were beaten, humiliated or abused if they spoke their language or expressed…

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D Carleton Gajdusek won the Nobel Prize for the discovery of Prions - the particles that would emerge as the cause of Mad Cow disease - while working with a cannibal tribe on New Guinea. He was a star of the scientific world. Over his years working amongst the tribes of the South Seas, he adopted 57 kids, bringing them to a new life in Washington DC. His adoptions were hailed as wonderful fatherly beneficence. But, at the height of his career, rumours began to spread he was a paedophile. Gajdusek would argue that if sex with children was okay in their own cultures, he wasn't wrong to join in. How could a great mind like Gajdusek's lose insight so totally, and why would the scientific community to which he was a hero be so quick to leap to his defence and dismiss the allegations? (Storyville)

The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.

The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.