
Self
Self

Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.
A vibrant kaleidoscopic tribute to the guitar that meshes dance, mime, visual art, and virtuoso performances to create a spectacular yet intimate celebration of the instrument. For one exciting week the city of Toronto plays host to the International Guitar Festival. The streets echo with the sounds of the instrument as the great masters from every tradition gather to play for each other -- John Williams from England, Leo Brouwer from Cuba (classical), Turibio Santos from Brazil (folk), Vladimir Mikulka from Czechoslovakia (avant-garde), Rik Emmett and Kim Mitchell from Canada, Steve Morse from the USA (rock).

An autobiography of Polish artist Malga Kubiak in praise of everything aesthetically in your face, confrontational, against the grist of good bourgeois taste and sense – punk camp trash, tacky, cheesy, cheap and maybe even treacly. An epic ego trip which turns one person’s experience into a tale of many.

Abortion clinics in Texas are disappearing exponentially and healthcare providers are feeling the brunt. The Provider follows the story of abortion provider Dr. Shannon Carr who travels every week from New Mexico to Dallas in order to perform abortions despite restrictive laws and threats to her safety. Continue to share her story and follow our latest documentary series as we try to capture these stories and influence change before all abortion clinics in the US cease to exist

State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.

Three sisters, Stella, Luce and Aria, live in an isolated house, immersed in the shadows, submitted by a violent and authoritarian father, a religious fanatic obsessed with the end of the world, who keeps them prisoners behind locks and closed windows, under the pretext that the Apocalypse has finally arrived.

« Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.