Moa Martinson - Mother of the Country

Some time after her death, film director Jill Craigie (1911- 99), re-opens an old suitcase, prompting memories of the extraordinary life and loves of this forceful, charismatic woman, whose work has been long neglected. Craigie was one of the first women to direct documentaries. Working outside the British Documentary Movement in the 1940s and early 1950s, her films such as To Be Woman (1951), on equal pay, and Out of Chaos (1944), the first film about artists at work, featuring Henry Moore and Paul Nash, tackled new subjects for the cinema through a unique blend of drama, polemic and humour. Independent Miss Craigie uses the director’s unseen papers, and her films, to reveal her energetic struggles to get her radical projects made and distributed, including her last one, on the Yugoslav conflict, made when she was 83, with her husband, former Labour leader, Michael Foot.

A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.

From a high school art class to a local radio station, the day-to-day lives of several women coalesce into a poetic documentation of women’s presence and physicality across everyday spaces.

The views and thoughts of Canadian writer Margaret Atwood have never been more relevant than today. Readers turn to her work for answers as they confront the rise of authoritarian leaders, deal with increasingly intrusive technologies, and discuss climate change. Her books are useful as survival tools for hard times. But few know her private life. Who is the woman behind the stories? How does she always seem to know what is coming?

Their documentary is the result of an ethnographic audiovisual research. How to research the theme woman and all the themes that surround it, respecting the place of speech of each one? Based on an interview with eighteen women cultural makers from the interior of São Paulo, we open the way to listening and dialogue on macro-themes permeated by their trajectories. The stories are theirs, but they're ours. Expand the debate about being a woman, about feminism and about our pains and delights, about our contradictions and dreams. The documentary is then a research, an open process of listening, reinterpreting and giving voice to them.

The Feminist Library: A Short Film was made in support of the Save the Feminist Library Campaign, documenting a crucial moment in the library's herstory as it fights for its very survival. Shortlisted for the Women's History Network Community Prize, the film revisits the story of the library's inception and emphasises why feminism remains essential today.

In celebration of International Women's Day, the House reveals "Her Dior", a documentary by ‪Loïc Prigent‬ chronicling Maria Grazia Chiuri's radical collaborations with renowned female figures since becoming Dior's Creative Director for womenswear in 2016. The film charts her journey from Rome to the global stage, distilling the essence of these poignant artistic exchanges in a single word: sisterhood.

This documentary goes back to the turn of the century to show how women shaped the nation’s history.

A group of young women from Ouagadougou study at a girl school to become auto mechanics. The classmates become their port of safety, joy and sisterhood, all while they are going through the life changing transition into becoming adults in a country boiling with political changes. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.

The haunting story of music executive Drew Dixon as she grapples with her decision to become one of the first women of color, in the wake of #MeToo, to come forward and publicly accuse hip-hop mogul Russell Simmons of sexual misconduct. A gripping and profound examination of race, gender, intersectionality, and the toll sexual abuse takes on survivors and on society at large.