Simião Martiniano, o Camelô do Cinema

Documentary about Waldemar Iglésias, a man living in Sorocaba, Brazil, who has been to the movies on a daily basis for 58 years. He talks about his childhood, his dreams, his favorite actors and actresses and the classic movies and cartoons.

Metalanguage and irony about what makes a film, film.

In this short, Willer’s poetic images and his voice dress the streets, the skies, the avenues. Here is Willer, the great poet and living legend of the sixties generation, in front of the camera, letting us into his universe, which Priscyla Bettim & Renato Coelho approach as a poetic encounter, in which experimental cinema becomes a powerful catalyst for his poetry. From an erotic and personal approach, the filmmakers give substance to what Willer states...or perhaps it’s the reverse: it is the images that coexist freely with the sound field of words and music.

A man breaks into people's houses at night and observes them, without stealing or violating anything. He simply looks, putting himself in their positions and searching for something he has lost within him, but not thinking that he could be being watched too.

A filming exercise becomes a memory of young Nico's crush and fall for his classmate, Iris.

Three stories. Three fates. Three women. How to survive a mental crisis? How to love yourself? What does it mean to find your happiness in life? This is discussed by a student, an artist in the image and a children's poet. Girls are eternal children, from college to retirement.

After the unexpected death of the filmmaker’s cousin in Vietnam, KYLE CHANT increasingly mixes real and digital memories, guided by Christmas carolers.

The daily life and development of young models of an agency located in the Jacarezinho favela, North Zone of Rio de Janeiro.

The documentary starts from the religious conflicts that exist in Rio de Janeiro and Belo Horizonte's favelas and suburbs to analyze the growing conservative wave that hovers over the country.

In 2014, Geovane, a young resident of the outskirts of Salvador, was taken by a military police car in broad daylight and never seen again.

South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.