Le Temps d'un détour. Marseille au XIXe siècle

In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.

In the streets of Marseille, René Allio encounters, once again, the spaces of his childhood, and remembers his family history.

During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.

Featuring candid discussion about hopes and dreams, love and heartbreak, family and friends, this engrossing documentary makes an inspired connection between classic literature and contemporary teen life in modern-day Marseille as one high school class studies the 17th-century novel La princesse de Clèves.

Valérie Jouve is a weel-known photographer, and Grand Littoral is her first film. Out the outskirts of Marseille, in a landscape criss-crossed by motorways, railways and srubland paths, some figures that seem to be from her famous photos passby and bump into each other. They act as our guides in a tour without beginning or end. How do you look at a place without taking possession of it? How do you describe characters without confining them within a given plot? How do you make the transition from still shots to moving pictures? this brief, musical film leaves us asking these and other unresolved questions.

Radio Galère, an independent radio station in Marseille, has been on the air for over 40 years, giving voice to what we hear far too little of: the anger, the struggles, the hopes, and the stories of those whom society renders invisible in their daily lives. Through its volunteers and staff, the station is a place where speaking out becomes a political act and a tool for empowerment.