Deep-sea organisms living in such a specific environment have developed unusual forms and properties. This is an interpretation of the underwater world and an invitation to relax.
I work with the interaction of space, and being in it, and the energies associated with them. The state of rest, then tipping over from it, and then returning to it again.
A line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way.
Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.
Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
Gretchen unmoulds a jar of jelly in her room while her parents picnic in the garden. The jelly comes to life, the girl begins a frenzied dance with her new friend "Jelly".
