Graffiti in Berlin

This documentary follows the lives and careers of a collective group of do-it-yourself artists and designers who inadvertently affected the art world.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

A year in the life of troubled Australian graffiti artist Justin Hughes.

The third and final episode of the Dirty Handz trilogy was released in 2006, but all events took place before 2001. This video symbolises the culmination of the controversial activity of the graffiti artists through a retrospective look at the actors. The film is entirely made by members of the SDK crew and follows a European tour of one of their members, tired of the monotony of the Parisian environment. There is an analysis of the different operational techniques writers use in each country.

The journey continues, and once again the target is Stockholm city… The 2nd episode of Area 08 features many whole trains and live backjumps from Stockholm, Sweden. There's a lot of tagging and painting of trains and metros from WUFC-SDK, PMS, FAME, HNR. The style and a soundtrack were inspired at the time by the famous Dirty Handz 2.

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

As the walls of Cuba's ageing infrastructure continue to crumble, a burgeoning street art scene is born in Havana. Murals of hand-painted masked character – Supermalo – with the tag “2+2=5?” have begun to appear in seemingly every corner of the heavily foot trafficked city.

Swiss graffiti crew KCBR drops a video to company their book release.

"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'

Documenting Graffiti culture in a basketball court in the Bronx. The filmmaker was accompanied by Martin Wong who said, "bring your camera". The Graffiti Hall of Fame is the result.

This short Graffiti documentary exposes the reality of a group of Venezuelan friends who have grown up in the midst of the chaos of their hometown "Caracas", walking its streets from a very early age, knowing and understanding the city in a different way, having a special vision and a particular relationship with her, almost romantic; This letter is the voice of few, but it reflects the feelings of many young people from Caracas who have somehow lost their space in this violent city. Art helped them cross borders and obtain recognition but with melancholy they remain faithful to return and remember that Caracas where they were born, they call themselves “The Children of Disaster.”

Two writers in Lisbon talk about what it means to be a woman in graffiti world where the survival of the fittest is prevailed and it's difficult to be accepted.