An intimate journey into the heart of the small but powerful DIY punk movement in modern-day Philippines. They hitchhike, beg for food, screen print bootleg band t-shirts, and help vulnerable members of their community. But President Duterte's violent 'War on Drugs' makes a punk…
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The Austrian Kreisky government enforced a policy of full employment, it was not allowed to set foot on the lawn in Vienna's Burggarten, the city and the minds of the people are grey. In a nutshell: es is zum Scheissn! The Kronen Zeitung speaks the mind of the philistine bourgeoisie and tells about "drug abuse, duck murders and sex orgies", the city government reluctantly provides a youth center only to evict it subsequently, a former Nazi becomes president and Vienna is burning because of the Opera Ball demonstrations. Punk in Vienna was not different than punk anywhere else. And yet, it was. "Scheiss Kieberei" instead of ACAB, Dead Nittels instead of California über alles, "Nazis raus" by Extrem on the same compilation as "We're gonna fight" by 7 Seconds. And anyway, the band names: Chuzpe, Schund, Pöbel. The outcast kids of Helmut Qualtinger tell their own story.

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

A 1993 portrait of rock singer and poet Nick Cave, a versatile artist who gained importance over the years. Jacobson also wrote the scenario that was built around a long conversation with the singer. From Australia and his work with the Birthday Party to his current city, Berlin, with The Bad Seeds.