Una mujer marcada

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

Yara is an indigenous woman who comes to Mexico City in search of a better quality of life. Yara suffered the contempt of society and the people around her.

A comedy-drama following a chaste young woman who is accidentally impregnated via artificial insemination as she struggles to inform her devoutly religious family and make the right choices concerning the child. Based on the telenovela "Juana la virgen."

The telenovela revolves around the family dramas and corporate power struggles of two rival families. This rivalry dates back many years to when Arturo Montenegro and Eládio Gómez Luna vied for the love of the beautiful Ana Laura; ultimately, it was Eládio who married her. Years later, Ana Laura is deeply unhappy, enduring her husband's abuse and cruelty; her only solace is the love of her son Federico, who is the complete opposite of his father. Meanwhile, after being widowed, Arturo married the frivolous Nina, with whom he had three children: Rogelio, Ana Karen, and Paulina. Arturo is so consumed by his business affairs that he fails to notice the humiliations Nina and her children—Rogelio and Paulina—inflict upon Pedro, his son from his first marriage.

Para toda la vida is a Mexican telenovela produced by Lucero Suárez and Juan Osorio for Televisa, in co-production with Megavisión, and originally broadcast on Canal de las Estrellas from April 15 to August 2, 1996. It is a remake of the 1985 telenovela Vivir un poco, which was itself based on the Chilean telenovela La madrastra by Arturo Moya Grau. The story follows Elena, a woman who is wrongfully convicted of murder during a trip to Chile. After spending fifteen years in prison, she returns to Mexico under a new identity to uncover who framed her, expose the truth behind the conspiracy that destroyed her life, and reunite with the family that believes she died years earlier.

Natalie, a poor but beautiful girl from a humble neighborhood, falls in love with and wins the heart of Victor Afonso—her childhood friend and the son of the city's wealthiest family. Natalie lives with a cruel old woman who forces her to beg to support her, yet also foresees through fortune-telling cards that "The Beast"—as Natalie is known—will one day find happiness and wealth. Believing this fortune is linked to "The Greek," a wealthy man in love with Natalie, the old woman sells her to him—unaware that Natalie and Victor Afonso had secretly married before he left the country for his studies. When the young man's parents discover the truth, they annul the marriage, indifferent to the fact that "The Beast" is pregnant with his child. Supported by her friend—a cabaret performer known as "La Costeña"—and by The Greek himself, Natalie turns her life around and gives birth to twins; however, she has no idea that The Greek intends to exact a price for all his generosity.

Alisa Lenz and luck? Her boyfriend cheats on her, then leaves her with a mountain of debts... She ruins her job application by angering the company's CEO... She loses the cut-glass pendant that was the only keepsake from her biological parents - and that was her good-luck charm... Decidedly, luck does not seem to smile on Alisa. But if you think this is enough to keep her from pursuing her goal of happiness and fulfillment, you don't know Alisa!