No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.
No synopsis available.

Gabriela Guillén

David Genovés

Santiago Guzmán/Fausto Guillén/Mario Genovés

Paulina Faidella

Alejandro Faidella

Alma

Julieta Guillén

In the early days of the Republic of China, a mysterious murder at sea draws Zhang Haiyan and his partner into an investigation that quickly spirals into a dangerous conspiracy. What begins as a search for truth aboard the massive ship Nan'an becomes a fight for survival in a world of intrigue and betrayal.

The telenovela revolves around the family dramas and corporate power struggles of two rival families. This rivalry dates back many years to when Arturo Montenegro and Eládio Gómez Luna vied for the love of the beautiful Ana Laura; ultimately, it was Eládio who married her. Years later, Ana Laura is deeply unhappy, enduring her husband's abuse and cruelty; her only solace is the love of her son Federico, who is the complete opposite of his father. Meanwhile, after being widowed, Arturo married the frivolous Nina, with whom he had three children: Rogelio, Ana Karen, and Paulina. Arturo is so consumed by his business affairs that he fails to notice the humiliations Nina and her children—Rogelio and Paulina—inflict upon Pedro, his son from his first marriage.

Para toda la vida is a Mexican telenovela produced by Lucero Suárez and Juan Osorio for Televisa, in co-production with Megavisión, and originally broadcast on Canal de las Estrellas from April 15 to August 2, 1996. It is a remake of the 1985 telenovela Vivir un poco, which was itself based on the Chilean telenovela La madrastra by Arturo Moya Grau. The story follows Elena, a woman who is wrongfully convicted of murder during a trip to Chile. After spending fifteen years in prison, she returns to Mexico under a new identity to uncover who framed her, expose the truth behind the conspiracy that destroyed her life, and reunite with the family that believes she died years earlier.

Natalie, a poor but beautiful girl from a humble neighborhood, falls in love with and wins the heart of Victor Afonso—her childhood friend and the son of the city's wealthiest family. Natalie lives with a cruel old woman who forces her to beg to support her, yet also foresees through fortune-telling cards that "The Beast"—as Natalie is known—will one day find happiness and wealth. Believing this fortune is linked to "The Greek," a wealthy man in love with Natalie, the old woman sells her to him—unaware that Natalie and Victor Afonso had secretly married before he left the country for his studies. When the young man's parents discover the truth, they annul the marriage, indifferent to the fact that "The Beast" is pregnant with his child. Supported by her friend—a cabaret performer known as "La Costeña"—and by The Greek himself, Natalie turns her life around and gives birth to twins; however, she has no idea that The Greek intends to exact a price for all his generosity.

Tatiana Singer is obsessed with the late 70s, experimental, cult classic film, "SIN3056843". She sets out to meet the film's reclusive director to understand the meaning of the convoluted film. Along the way she discovers there may be something paranormal about the film itself while her very existence is called into question.

Based on a visual novel of the same name by Rejet and Otomate, for the female market. Komori Yui is a positive-thinking girl who nevertheless is troubled by seeing spirits and experiencing poltergeist phenomena. In her second year in high school, she transfers to a new school — a night school for entertainers and celebrities — due to her father's work. There are rumours that vampires exist among the student body, and Yui ends up living with the six sadistic Sakamaki vampire brothers.

José Luis