Man Walking Around a Corner

After the publication of a CD book with the poems of Leopoldo María Panero, musicians Carlos Ann and Enrique Bunbury travel to the Canary Islands to meet the "cursed poet", who is hospitalized in the psychiatric hospital of Las Palmas.

Short film documentary at Mt. Olympus

Legendary drag performer Ocaña in performance with a cardboard Marilyn on the west side of the Berlin Wall.

A fascinating pictorial document: On an old, cluttered work ship, a man is helped on with a bulky, old fashioned diving suit. It's a complicated process, many layers and sections are carefully applied. He goes over the side. Some men row out to what looks like a wrecked barge and set dynamite. Then the diver returns and now laughs and acknowledges the camera. The other men, now safely away, blow up the barge.

This documentary reports on the master potter Otto Engelmann from Klingmühl, who was commissioned to make black painted clay heads of Karl Marx in the spring of 1973. Engelmann briefly explains the individual work steps from mixing the casting slip to firing the clay heads and then painting them. An old craft is vividly captured on camera and accompanied by original sou

For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.

A movie projectionist reconstructs his memory through movies.

'The angle of the world allows us to see the real as an outer and inner presence at the same time, an opaque otherness, yet capable of becoming an intimate space. These incommensurable lengths and distances of an interior that opens up: The mysterious movement of the clouds, the cadence of the waves against the light, or the silent slippage of a barely identifiable human silhouette, everything seems transfigured, derealized and reinvented by light in a poetic world that evokes the paintings of Turner or Friedrich, the writings of Poe or Baudelaire.’ — Violeta Salvatierra

In 1966, John Harlin II died while attempting Europe's most difficult climb, the North Face of the Eiger in Switzerland. 40 years later, his son John Harlin III, an expert mountaineer and the editor of the American Alpine Journal, returns to attempt the same climb.

It is the story of an encounter, that of two men, that of a coffin meeting its hearse, of death inviting itself into life or perhaps of life inviting itself into death. This encounter follows an advert on Leboncoin: “Solid oak coffin, varnished. Excellent condition. Large size. Its particularitý is to have the place for the legs embedded. It is not padded inside. Does not fit in an oven, hearse or traditional vault. Difficulty to get through doors (…)”

A journalistic story inspired by Volodymyr Vernadsky about the genesis of life in the universe — from the physical elements of the primordial broth to the civilization of intelligent man.