Tales of Luanda: Hope the Pitanga Cherries Grow

The film sheds light on a country in which, after twenty-seven years of war and three ­years of official peace, there is an overwhelming discrepancy between poor and rich. A sensitive and respectful approach towards a traumatised society.

While the center of Angola's capital Luanda is now ranked as one of the most expensive places in the world, the majority of the city's population lives in abject poverty. But young people are rebelling and creating their own counterculture with their own music styles and acrobatic dances, using the "ghetto" as a trademark to define their style.

In 1961 the liberation struggles start in Angola against the portuguese colonial power. The African students in Portugal fear for their safety and plan to flee outside the country. With the help of Theology students, French and North-American pastors, the operation code name "Angola" fled over 100 african students abroad towards freedom, amongst them several future leaders of african countries.

An anthropological film of the people of Angola.

An investigative documentary on the Angolan conflict, filmed on location in Portuguese-controlled Africa by Robert M. Young and first broadcast in 1961. (Note: Originally broadcast as an episode of NBC’s White Paper series (1961), but listed separately due to its independent documentary production, hazardous field filming, major journalistic impact, and sustained scholarly treatment as a standalone documentary work.)

Blood Diamonds is a made-for-TV documentary series, originally broadcast on the History Channel, that looks into the trade of diamonds which fund rebellions and wars in many African nations. The program focuses primarily on two nations: Sierra Leone and Angola. Diamonds which are traded for this purpose are known as blood diamonds.

In Angola's mist-shrouded highlands, three KhoiSan master trackers embark on a spiritual quest to rediscover the legendary "ghost elephants" of Lisima, creatures presumed lost but remembered in ancestral trance, ritual, and memory.

Following nearly 40 years of unrelenting war, peace and reconstruction are slowly arriving to Angola. Huambo, Angola’s second largest city, finds 55 children in the Okutiuka orphanage under the care of Sonia Ferreira. Her boyfriend, Wilker Flores, is a death metal guitarist who uses sounds and rhythms of this hardcore music as a path to healing. Or, as Sonia says, “to clear out the debris from all these years of war.” The feature documentary follows Wilker and Sonia’s attempts to stage Angola’s first-ever national rock concert, bringing together members from different strands of the Angolan hardcore scene from different provinces, as it all unfolds in fits and starts, against the bombed out and mined backdrop of the formerly stately Huambo.

Captures the tenacity and diversity of Angolan society. Beginning with a brief history of Angola's war for independence from Portugal, the documentary's up-beat pacing provides an engaging overview of Angola's social and economic landscape. City life, music, the economy, rural communities, and the effects of civil war and apartheid in neighboring South Africa are covered using scenes of every day life in Angola and commentaries from Angolans themselves.

Brazil and Angola while on either side of the Atlantic Ocean have the same language, a common colonial past and many shared stories. In this film, correspondence is exchanged between these two places – some people are longtime friends, others have never met. Their stories intertwine and tell about migration, nostalgia, belonging, war, prejudice, exile and distance. The search for identity and flow of memory are driven by the line of affection that binds the seven pairs of speakers presented in this documentary, people whose life stories are traced between Brazil, Angola and Portugal.