Blood Diamonds

Documentary giving the background on all of the major players involved in the planning of the assassination of President Lincoln, including the investigation and aftermath.

Angola: thirty years of independence, three years of peace. Capital, Luanda, a city built for 600 thousand people where four million now live. Ten characters guide us through different ways of living and interpreting the city. People from all of the country's provinces meet at this crossroads. They are the life of the city, transforming it by inventing ways to make money and reinventing themselves.

Alex Txikon, internationally renowned mountaineer, is launching a new winter expedition in 2021 to Manaslu (Nepal). It is the first non-polluting ascent, powered by solar panels. With this sustainable system, which reduces the energy footprint in accordance with the Paris Agreements, the EKI Foundation is beginning its work of solidarity. Alex is going to learn about the work developed by the Foundation in Sierra Leone, where they provide solar energy systems that enable energy autonomy in schools and hospitals. Txikon proposes to replicate this idea in a very special school in the Diamer Valley in Pakistan, the Günter Mountain School, uniting two different but at the same time equal cultures.

After twelve years in exile, Syrian journalist and filmmaker Daham Alasaad returns to Homs, devastated by the war in Syria. Once the city of his childhood, it is now a relic of an authoritarian regime, where different communities (Sunnis, Christians, Alawites) are trying to rebuild their lives together after terrible years of division and destruction. Thanks to Daham Alasaad's close relationship with the city's inhabitants, the director highlights some very moving characters, torn between grief, fear, the need for justice, and the desire for peace and reconciliation. By opening up naturally to the camera, they allow viewers to experience what Syrians of all backgrounds are going through today. "Homs-Syria, Life After" is a personal and political investigation into the ability of this symbolic city to rebuild hope on the ruins of a Syria ravaged by more than fifteen years of war and facing an uncertain future.

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.

A Liberian refugee SAM REAYAH and his family have been separated for five years and live in uncertainty waiting for family reunion. While Sam and his younger daughter Ruth continue their lives in Buduburam Refugee camp in Ghana, his wife Decontee and his older daughter Joyce have already started a life in Rochester, USA. The film explores the idea of home. Sam's family had a home in Liberia, but they had to give it up. They were forced to build homes elsewhere. They built a home in Ghana. They build a home in The United States. They built homes together, they build homes separate of each other. But which home does the heart want?

The film sheds light on a country in which, after twenty-seven years of war and three ­years of official peace, there is an overwhelming discrepancy between poor and rich. A sensitive and respectful approach towards a traumatised society.

Sohaila, Zahra and Zeinab train every day. Their dream is to become professional fighters and to show the world that all people are equal. Director Lukas Tielke and his team spent a week in Malakasa refugee camp, outside Athens, getting to know these inspirational young Afghan women.

Using historically-accurate, battle-filled re-enactments and interviews with expert historians and noted authors, this two-part documentary series brings to vivid life the captivating true stories behind Britain's bloody civil wars.

"CIVIL WAR SURVEILLANCE POEMS (Part 1)" is the first installment in a five-part project of experimental and hybrid-form short films contemplating a second American civil war via lyrical nonfiction, mixing call-in radio, twenty years of verité footage from the filmmaker's archive, and robots. Conceptually speculating from sixteen years in the future (and a protracted civil war), the project is partly nostalgic political travelogue, partly a quest to mine the archive for what went wrong, and part prewar surveillance records, the project deconstructs and builds to a clashing ideology, culminating in an installation of sound sculpture, four-walled video and artifacts.