The Sow

The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.

During the Middle Ages, a clumsy knight returns home where his wife awaits him. Sensuous and beautiful, she has attracted several male admirers during his absence, but her chastity belt has maintained her faithfulness. Now is her chance to wrest the key from him and enjoy herself. The knight’s portly friend has a similar problem with his equally gorgeous wife. And to top it off, both men have designs on the other’s wife — leading them to devise painful methods to discourage the other from trespassing.

Police officer Aniskin lives with his family in a rural Russian village whose inhabitants admire his gentleness and wisdom. When an accordion is stolen from the local clubhouse, he begins to investigate.

The history of women through the Middle Ages as told to and by little boys and girls and an old man (Michael Lonsdale)

An Irish-born businessman based in London is kidnapped by colleagues as a joke and flown back to the small village of his birth. There he finds that American gangsters are forcing the local publicans to buy illegally-produced raw spirit with which to adulterate branded products.

Mr. Pelletan's rascal son Bébert son got another F for playing in class. His punishment is an essay on the Merovingian king Dagobert. All they know is he had eight wives and reunited Francia. The ignorant knave's irreverent imagination turns that into a harem and a ludicrous war without armies, loaded with anachronisms, in a race against rival king Charibert for the crown of Reims. The king's right hand, archbishop Eloi, the later patrons saint of carpentry, is portrayed as an inventor.

Constance is a beautiful woman and a lonely painter at the same time. One morning, she receives a birth announcement from a good friend and realizes how lonely she really is. She decides to make up her mind about men in an unexpected way.

Middle-aged Late is building a fence in his family home for a summer break, but he falls in love with his daughter's new friend, 16-year old flirtatious Saija.

"Cilantro y perejil" is a comedy about couples from the same family, hit by the economic crisis in Mexico. The plot turns around the eternal question of whether it is worth it to live as a couple. The conclusions are fun, unpredictable and very human. After ending a ten-year marriage, Carlos and Susana try to fall in love with other people without success. As the days go by, Carlos realizes that without Susana he is unable to do many things, including distinguishing cilantro from parsley.

Phyllis Diller’s brand of comedy is as timeless today as it was in the 1960s, when she became a regular on popular variety and talk shows. From her outrageous costumes to wildly teased hair, Diller was a pioneer among female comediennes, paving the way for future stars. Who can forget her hilarious housekeeping and marriage tips, her beleaguered husband Fang, her cackling laugh and self-deprecating sense of humor? Phyllis Diller: Not Just Another Pretty Face highlights some of her best routines. Special guest stars such as Don Rickles and Dean Martin make this a fun trip back in time.

A son quits his job and is persuaded by his father to head off to a cottage in the remote mountains. Together, the two of them manage to get through their days while wearing old jerseys left by a deceased grandmother. The following summer, the two once again leave the stifling heat of Tokyo, as if escaping to the mountain cottage. However, the next summer is very different.