Ritter Orgas muß mal wieder

The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.

During the Middle Ages, a clumsy knight returns home where his wife awaits him. Sensuous and beautiful, she has attracted several male admirers during his absence, but her chastity belt has maintained her faithfulness. Now is her chance to wrest the key from him and enjoy herself. The knight’s portly friend has a similar problem with his equally gorgeous wife. And to top it off, both men have designs on the other’s wife — leading them to devise painful methods to discourage the other from trespassing.

The history of women through the Middle Ages as told to and by little boys and girls and an old man (Michael Lonsdale)

Mr. Pelletan's rascal son Bébert son got another F for playing in class. His punishment is an essay on the Merovingian king Dagobert. All they know is he had eight wives and reunited Francia. The ignorant knave's irreverent imagination turns that into a harem and a ludicrous war without armies, loaded with anachronisms, in a race against rival king Charibert for the crown of Reims. The king's right hand, archbishop Eloi, the later patrons saint of carpentry, is portrayed as an inventor.

Constance is a beautiful woman and a lonely painter at the same time. One morning, she receives a birth announcement from a good friend and realizes how lonely she really is. She decides to make up her mind about men in an unexpected way.

Middle-aged Late is building a fence in his family home for a summer break, but he falls in love with his daughter's new friend, 16-year old flirtatious Saija.

"Cilantro y perejil" is a comedy about couples from the same family, hit by the economic crisis in Mexico. The plot turns around the eternal question of whether it is worth it to live as a couple. The conclusions are fun, unpredictable and very human. After ending a ten-year marriage, Carlos and Susana try to fall in love with other people without success. As the days go by, Carlos realizes that without Susana he is unable to do many things, including distinguishing cilantro from parsley.

After spending three years in captivity in Tunis, Bartolomé returns home Extremadura with the only hope to eat his favorite dish: the pork. Along the way he meets a deserter who is traveling with a sow.

Phyllis Diller’s brand of comedy is as timeless today as it was in the 1960s, when she became a regular on popular variety and talk shows. From her outrageous costumes to wildly teased hair, Diller was a pioneer among female comediennes, paving the way for future stars. Who can forget her hilarious housekeeping and marriage tips, her beleaguered husband Fang, her cackling laugh and self-deprecating sense of humor? Phyllis Diller: Not Just Another Pretty Face highlights some of her best routines. Special guest stars such as Don Rickles and Dean Martin make this a fun trip back in time.

A self-help seminar inspires a sixty-something woman to romantically pursue her younger co-worker.

The already old King Charles IV. is fully devoted to politics and reigning and does not have as much time for his wife Anna Svídnická (third in line) as the young and in love monarch would like. Anna therefore weaves a small intrigue to incite the king to jealousy. The second picture from the life of the aging Charles IV. concerns his last wife Elizabeth. On the contrary, she does not desire the king's tenderness at all and prefers to devote herself to the problems of the monarchy. But this time it is the king who craves marital joys, and therefore tries to arouse jealousy in the queen...

Twenty years have passed since those two apartments in the heart of Mexico City were the battlefield of a war of the sexes between Ana, Carlos, Andrea, Miguel, Tomás and María. All that is left of those apartments are memories and the image of Tomás' dead body at the bottom of the elevator shaft. Their lives have changed, their families have grown and new and unexpected characters have come to unsettle their daily lives and trigger a chain of events that will make them realize that modesty has been replaced by public disclosure; sex is only an app away; but love...love is still something elusive that everyone in today's banal and chaotic world is seeking.