Alexander Mosolov. Three Pieces

A line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way.

Blind evolution. Seemingly arbitrary stages of the evolution in black-and-white drawings on rough paper.

Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.

A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.

Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.

Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)

Deep-sea organisms living in such a specific environment have developed unusual forms and properties. This is an interpretation of the underwater world and an invitation to relax.

I work with the interaction of space, and being in it, and the energies associated with them. The state of rest, then tipping over from it, and then returning to it again.

A boy conjures the stars out of yogurt.

A destructive sequence with infinite consequences.

A musical animated film which celebrates the simple and childish joy of hitting drums, scribbling on paper using marker pens, splashing paint or making cracked cymbals screech.